The Book of the Week is “Chasing Chaos: My Decade In and Out of Humanitarian Aid” by Jessica Alexander, published in 2013. This is the career memoir of an aid worker who found her calling in helping refugees of war, natural disasters and anti-government uprisings.
She interviewed the victims, wrote reports on their living conditions, pushed paper, attended meetings and held meetings, among other bureaucratic tasks– doing two-month to seven-month stints in The Sudan, Rwanda, Sri Lanka, Liberia, Sierra Leone and Haiti. “The martyr complex permeated my psyche, and although I desperately needed a break, I felt negligent when I left.”
In Darfur, the author learned of the pitiful situation in education by visiting a “school,” which consisted of a tent, a blackboard, benches and prayer mats. Teachers who had been working without a salary for two months told her that the ratios of children to teachers was one hundred and fifty to one; children to notebooks was three to one, and children to lesson books was eight to one.
Alexander recounted a bizarre scene in which airport security left a lot to be desired. “The security men were looking at a blank screen. And the metal detector? It wasn’t plugged in. The airport had no power. But they put on a good show anyway…”
In recent years, Hollywood celebrities’ jumping on the international-charity bandwagon has meant a tremendous boost in the flow of money to various humanitarian causes. People have thus acquired the misguided notion that throwing money at the problems in Third-World countries, or a week-long visit to them during spring break to shovel some dirt in an attempt to rebuild, or donating old clothes to their hapless citizens, is actually what they need or want.
Read the book to learn:
why the author became frustrated and felt powerless when she was stateside again, working at the corporate office of a non-governmental organization (NGO; non-profit humanitarian aid group);
how the media do their part to raise awareness of suffering in the world;
and her course of action when she was forced to choose between her career and her life’s romantic subplot (i.e., settling down in a stable lifestyle as a member of a community).