Johnny Carson

The Book of the Week is “Johnny Carson” by Henry Bushkin, published in 2013. This is a biography of the most popular late-night TV talk-show host of the 1970’s and 1980’s, as seen through the eyes of his attorney and closest non-spouse confidant in those decades.

Carson might have been a natural at stand-up comedy and interviewing celebrities, but his personal life was always a shambles. His psychological troubles began in his childhood. Both of his parents were emotionally distant, but his mother was a particularly detestable creature. Her treatment of her son gave rise to lifelong self-destructive behavior patterns in him, such as excessive drinking, smoking, and Jekyll-and-Hyde episodes.

A man typical of his generation, Carson believed all of the female stereotypes, and his confirmation bias inevitably led him to meet and marry three gold-digging, emotional women, and pay them big bucks upon divorcing them. He died before divorcing the fourth wife.

During his marriages, he was continually paying for his infidelity by showering his aggrieved partners with expensive gifts. Once he became a member of the super-rich set, he behaved like many of them, sparing no expenses on residences, vehicles and clothing, and throwing money at problems to make them go away.

Up until the 1970’s, prior to acquiring excessive wealth, however, Carson was getting swindled by all of the business professionals he had hired. He had naively chosen to associate with untrustworthy individuals. Upon meeting Carson, the author– who had barely started his career but had savvy legal bosses–  sorted out his financial dealings. He re-negotiated various legal situations to not only stem the bleeding, but maximize earnings for his new boss.

Read the book to learn much more about the impact Bushkin had on Carson’s life, and vice versa.

Appetite for Self-Destruction

The Book of the Week is “Appetite for Self-Destruction, The Spectacular Crash of the Record Industry in the Digital Age” by Steve Knopper, published in 2009. This is an account of how the American music industry, for the most part, reacted badly to the jarring changes wrought by technological advances starting in the late 1970’s.

For decades prior to the 1970’s, the music market in the United States had had a shady reputation– involving drugs, kickbacks, bribes and cronyism, among other vices.

Even after CDs proved to provide sound that was superior to plastic records, entities in the music industry supply chain resisted making CDs because it necessitated the reconfiguring of their: factories, marketing materials, store displays, etc. Modernizing everything was expensive.

In 1978, the Sony CDP-101 could play the first CD title:  “52nd Street” from Billy Joel. But only in Japan. PolyGram Records, CBS Records and Sony understood the value of the new product. Arista Records, Capitol Records and EMI didn’t.

In addition to the widespread introduction of CDs in America by the late 1980’s, the sale of CBS Records was another disruptive force in the industry, resulting in power struggles and lots of layoffs. The old-school record labels depended on MTV, radio and music stores to distribute their wares for another decade.

The tail end of the 1990’s saw a new technology that really turned the industry on its ear:  the World Wide Web. It enabled people to create software that allowed free (no-cost and no restrictions) electronic-music-file sharing. In December 1999, the organization regulating intellectual property rights on music, the RIAA, sued one of the major organizations doing the sharing– Napster– for copyright violations. By the following summer, the latter had approximately nineteen million users per month.

Read the book to learn of the outcome of the above and other legal battles; the new 1990’s and early 2000’s music conduits and devices, their relationships to the laws on music piracy; and many other actions taken by the American music industry that have fueled the current state of digital music sales.