Category: TV Industry

Red Carpet

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The Book of the Week is “Red Carpet, Hollywood, China, and the Global Battle for Cultural Supremacy” by Erich Schwartzel, published in 2022. In this hodgepodge of a volume, the author described the interactions between the United States and China in connection with their movie and television industries, beginning in the 1990’s.

America seeks to profit in everything it does.

The Chinese government’s number one goal is to boost its national pride when selling video entertainment to end-users. The government therefore keeps a tight rein on the optics of its products– limits the stories of its public-private partnership’s shows to:

  • glorifying itself and its Communist Party history;
  • recounting its victimization at the hands of evil, Western powers and Japan with regard to militarism and trade in the 19th century;
  • glorifying superheroes who convey Communist ideology.

The Chinese government gets very offended when even one movie-line or one tweet implies that Tibet or Taiwan are not part of China. It censors story-characters who challenge authority, buck established order, or shake things up. It censors disparagement of China, adult themes of vice, religion, gruesome violence, ghosts and gays. China financially punishes the perpetrators– the entertainment companies. Because it can.

Another aspect of China’s video culture is rampant pirating of Western entertainment. Further, deals made with foreign countries to screen shows in China, are always financially superior for China. Contrarily, in various ways, China will curtail revenues for all parties if it sees that the foreign entities’ shows are too influential with Chinese viewers.

November 1994 saw the first American movies (made by Warner Brothers) shown in China. Even though in the next quarter century, foreign videos shown in China became China-fied, only Chinese people watch movies made in China. Americans aren’t watching movies made in China.

Beginning around 2014, China’s dictator Xi began to punish Chinse entertainment-industry dissidents. Between 2017 and 2020, America had 17 of the fifty highest-grossing movies of all time. China had 27.

China has begun to export its movies and TV shows to Kenya at a deep discount in order to push its ideology. But viewers enjoy American shows better. The younger generation yearns for the consumer goods they see on TV. Interestingly, Disney was one of the few American content-providers that didn’t portray Africa as a “lawless land of disease and despots.”

Read the book to learn many more details of how Hollywood became experienced at dealing with China in seeking to make money, while China played Hollywood, and how China is spreading its gospel to the African continent with the goal of world domination.

No Way But to Fight

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The Book of the Week is “No Way But to Fight, George Foreman and the Business of Boxing” by Andrew R.M. Smith, published in 2020.

Born in 1949 in the Houston, Texas area, Foreman grew up in poverty in a large family. His future looked dim, as his schooling had been scant and his leisure activity had consisted of mugging people on the streets in the middle of the night.

Beginning in the mid-1960’s, president LBJ’s federal job-training program, called the Job Corps, arguably saved Foreman’s life. Various mentors who had acquired diverse life experiences- military veterans, counselors, coaches and teachers– supervised about two thousand troubled teens. Foreman learned about boxing, and won the first tournament he fought, in January 1967.

Foreman’s coach got him excused from the military draft for an undisclosed reason. As is well known, rival boxer Muhammad Ali became religious and resisted the draft. Through the decades, compulsory military service hindered plenty of careers of professional athletes, but they (Ty Cobb, Joe DiMaggio, Joe Louis and Roger Staubach, to name four) didn’t make a public issue of it. The government wanted to punish Ali on behalf of those athletes– regardless of his ethnicity– because it was unfair to them, that Ali could continue to develop his career while their lives were disrupted or put at risk.

Ali obviously turned this into a civil rights issue, but other people considered him to be “cheating” as he was getting an unfair advantage over his competition. It is interesting to see how, through the decades, the conversation has shifted on how some Americans define “cheating” in professional sports.

Performance-enhancing drugs (regulated in international competitions but not terribly strictly in American professional sports) have quietly disappeared from the discussion in the United States, as a million conspirators have pushed gender-issues to the forefront– as the next form of cheating. That just shows how easily human beings can be brainwashed by propaganda!

Anyway, yet another turning point in Foreman’s career, occurred at the dawn of the 1970’s, when he met Dick Sadler. The boxing promoter was a rare bird– did business on a handshake and wasn’t as greedy as his competition.

Boxing through the 1970’s was a complicated business, considering all the stakeholders involved: the fighters themselves, their entourages, event-venues, event-broadcasting outlets, the various professional groups that organized the matches, and the political entities that regulated and taxed the aforementioned.

In the early years of his career as an amateur, Foreman was criticized for choosing to fight easy opponents. In March 1974, he was also labeled unpatriotic for scheduling a match outside the United States (in Venezuela), even after his tax-avoidance and financial-related divorce troubles had ended. The international media stories arising from that fight, smacked of the poor diplomatic relationship between America and Venezuela (for oil-related reasons).

Read the book to learn much more about the boxers of Foreman’s generation who began their careers in the 1960’s, the history of the industry through the 1990’s, and Foreman’s careers.

Cobb

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The Book of the Week is “Cobb, The Life and Times of the Meanest Man Who Ever Played Baseball, A Biography” by Al Stump, published in 1994. Born in December 1886, Cobb grew up in Royston, Georgia.

In 1904, with big-league dreams, Cobb began “paying his dues” in semi-professional baseball. It was employment-at-will. The team paid his travel expenses to away-games at stadiums around southern states via horse-and-buggy in all sorts of weather. The food consisted of bean soup, hog jowls and grits.

Throughout his baseball career, Cobb behaved badly in various ways to get attention and his name known and remembered. He took full advantage of every opportunity to make his own stats look good, although he himself was a social outcast on his own team. He was a man of supernatural ability in both hitting and fielding, and he groomed his legend to the maximum.

Early on, Cobb got himself thrown out of the game for shoving, and spitting on the umpire. He began many a bench-clearing brawl. He repeatedly, anonymously wrote letters of shameless self-promotion to then-famous sports writer Grantland Rice at the Atlanta Journal to get his name in the paper, because his team was too low-level to be covered by the media.

Cobb pioneered various kinds of slides while base-stealing, in ways that would intentionally plant his sharpened metal cleats into basemen’s legs, to injure them, and make them drop the ball. No rule against that dirty trick was imposed during his career. He acted the drama queen– moving the second-base bag closer to third base by kicking it a few inches in mock frustration. Cobb would loudly comment on the game in order to psychologically rattle opposing players.

Americans were shocked when they learned a couple of years after the scheme was executed, that some Chicago White Sox players sought to financially benefit from deliberately losing the 1919 World Series because organized crime figures organized gambling on the games.

In 1921, Cobb simultaneously played for and managed the major league Detroit Tigers. He was a hypocrite, banning his team (except himself) from playing golf, and during spring-training, ordering practice on Sundays. He himself didn’t show up for the latter, as he was visiting the minor league teams he co-owned in Rhode Island and Georgia.

“One corrupt game in every 300? Club owners blanched at that news. They had covered up the rewards systems, allowing it to pervade a game believed by millions of Americans to be on the square. Now, the outcome was shameful disclosure.”

Just as dishonesty waxes and wanes over decades in various areas of American life, it’s time to clean it up again in politics. BUT– only after one big burst of phony outrage spikes media ratings in the next few months, as American society values overpaid noisemakers (talking heads) on the idiot box and sports figures, more than: passionate teachers, sincere public servants, whistleblowers, and muckrakers pushing for social justice.

It is no accident that it’s more expensive than ever to be an idiot these days. Prior to cable TV (beginning in the 1950’s), the price of a TV set included the vast wasteland of entertainment and ads via pure broadcasting. For most Americans, watching TV now entails the purchase of an overpriced monitor and on top of that, payment of a monthly installment forever (!) to receive that vast wasteland (which still includes ads!), for more choices. That installment helps pay the obscene salaries of the said overpaid noisemakers and sports figures. The idiot box and radio pay people to talk. And certain politicians pay people not to talk.

Anyway, read the book to learn much more about Cobb’s family life and career– the man, the myth, the legend.

Nightline

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The Book of the Week is “Nightline, History in the Making and the Making of Television” by Ted Koppel and Kyle Gibson, published in 1996. The TV show Nightline, and this book were aired and published during the Reagan Era and president Bill Clinton’s first term, prior to the historical revisionism and 20 / 20 hindsight of even more modern times– during which politics is even more sophisticated. And when political awareness is higher than ever, due to social media’s pervasiveness.

In November 1979, Koppel began to host on ABC News at 11:30pm, what he thought was slated to be a temporary show, on the Iran hostage crisis. Thanks to videotape and satellites, he was able to feature a few different people who could talk to one another live, simultaneously, halfway around the world. By March 1980, this format had evolved into a news-analyzing talk-show called Nightline.

One of many moments in which viewers got to see major historical events happening right before their eyes, was the April 1980 eruption of Mt. St. Helens in the state of Washington. In 1985, Koppel and his crew televised a week of episodes in South Africa on apartheid, in color, and black and white. Actually. Also in 1985, in simulcasting another set of shows in a violence-prone area, they commemorated the 10th anniversary of the U.S. pullout from Vietnam. “Le Du Tho and Henry Kissinger, co-winners of the 1971 Nobel Prize, together again for the first time.” In 1988, they went to Israel to cover the never-ending dispute between the Israelis and Palestinians.

Al Campanis had played baseball with Jackie Robinson in 1946. In April 1987, the former became a victim of cancel culture after he made some unpopular comments on Nightline. “The bigger problem for baseball was that Campanis had inadvertently revealed an ugly truth about racial attitudes in the front office, and firing him wasn’t going to end what was now a national debate.”

Read the book to learn of numerous other episodes of an educational late-night TV show that was obsolesced by the changing times in America.

Cable News Confidential

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Foreword

Hannah Arendt, in an essay on Socrates, wrote that a statesman of high caliber listens— meaning, attempts to understand another speaker’s views. Charles Lindbergh and Joseph P. Kennedy obviously failed to listen to signals from their own countrymen; for, they hitched their star to Hitler. They figured if he won the war, they’d reap the spoils. Strangely, in 1968, even Arthur Schlesinger, Jr. was fooled by the “new Nixon” who was actually the same old vicious, wily, power-hungry criminal. It pays to listen to the other side to see historical behavioral patterns that aren’t going to change.

Post

The Book of the Week is “Cable News Confidential, My Misadventures in Corporate Media” by Jeff Cohen published in 2006. The author was born in the 1950’s in the Detroit area. He detailed the now-expected, and standard: hypocrisy, shenanigans, unfairness and imbalance he encountered while appearing as a political commentator at three different cable channels into 2004.

Beginning in 1997, the author appeared as a Left-wing panelist on the TV show, Fox News Watch. Also present were a Right-winger and a Centrist. On Fox, Cohen was allowed to bite the hand that fed him– criticizing the media for its biases, profiteering, smears and lies, etc. during his five-minute appearances on political shows. He believed that the commentary was actually politically balanced for about a year. Thereafter, Right-wingers became the majority.

In the summer of 1999, George W. Bush’s cousin John Ellis wrote in a Boston Globe column that his covering the 2000 presidential-voting results on election night in November would be a conflict of interest. Nevertheless, Ellis was doing exactly that, on Fox News, wrongly announcing, at 2:16am Wednesday, the day after election day, that Bush was the winner in Florida and therefore, Bush had won the presidency. Unsurprisingly, Cohen personally witnessed Ellis’ kind of unethical behavior over and over again.

From January to August 1998, MSNBC covered Bill Clinton’s sex life with Monica Lewinsky. Too bad, Lewinsky missed a valuable opportunity to become a political activist. Instead of allowing the media to shame her, she could have engaged in a public relations coup with the right messaging.

Anyway, in May 2001, Chandra Levy– a female intern– went missing, at which time the major cable “news” stations put her boss Democrat Congressman Gary Condit under the microscope nonstop until September 10, 2001. Other “news” stories the idiot box could have covered instead included:

  • On September 9, 2001, secretary of defense Donald Rumsfeld was demanding billions of dollars to fund the creation of weaponry to defend against America’s enemies’ ballistic missiles. But, contrarily, he was saying that the president was opposing the U.S. Senate’s proposal that would shift the funding of said weaponry to fund counter-terror measures.
  • On September 10, 2001, U.S. intelligence agents heard al-Qaeda members utter the phrases, “the match begins now” and “tomorrow is zero hour.” But, contrarily, head of the Justice Department, John Ashcroft opposed the FBI’s request to add tens of millions of dollars to its budget to hire additional personnel to counter terror threats.

Cohen was constantly backing up his arguments with facts, such as when Chris Matthews basically denied that the United States did not send its military into other countries willy-nilly– that Iraq in 2003 was an exception. Cohen countered with occasions after 1945 during which America was an aggressor, that included 21 different territories into the single-digit 2000’s.

Read the book to learn much more about the author’s dismay with his employers’ practices that included much, much more Right-wing commentary than Left, and lack of fact-checking.

Endnote

By agreeing to debate and softening his rhetoric, Donald Trump is showing he has reached the bargaining stage of grief, in the death of his political career. DO NOT BE FOOLED BY HIS “NEW NIXON” ACT.

Winchell

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The Book of the Week is “Winchell, Gossip, Power and the Culture of Celebrity” by Neal Gabler, published in 1994. Two cliches that apply to the likes of Walter Winchell’s role in the evolution of the American entertainment industry include: THERE IS NOTHING NEW UNDER THE SUN, AND DEJA VU ALL OVER AGAIN.

Born in April 1897 in East Harlem, Winchell got into Vaudeville as an adolescent. In the 1920’s, there were about six major New York City newspapers, and readers had their favorite columnists. In August 1924, Winchell got his own column, specializing in Broadway gossip in the newly launched Evening Graphic.

Winchell’s career took off. By summer 1929, he was writing for the Hearst-owned paper, the Mirror. The following spring, he launched a radio show, and the following summer, he acted in a movie. He associated with Mobsters, advertising their night clubs while he received protection from them.

Winchell vacillated between suffering from imposter syndrome, and behaving like an alpha male with hubris syndrome. He was a dream dispenser for his readers; they aspired to adopt the lifestyle of “Cafe Society.” In the 1930’s, this set consisted of star-struck social climbers, heirs and heiresses who had done nothing to merit their own celebrity.

Winchell acquired significant power to make or break peoples’ fame with his column, by promoting or smearing them. During the Depression, he honed his showmanship and propaganda techniques, becoming a strong political influencer. Beginning in 1933, he flacked for FDR and smeared Hitler. His rhetoric was anti-Communist, anti-Fascist and anti-isolationist.

Lacking significant formal education, Winchell rode a wave of success based on envy, anger and vengeance, into the 1950’s. The author wrote, “The real grievance was the control he exercised over his social and intellectual superiors and what that control portended for the elites.”

Read the book to learn a lot more about Winchell and others that smacks of other public figures whose rises and falls have been largely similar, in the history of this country.

Will

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The Book of the Week is “Will” by Will Smith with Mark Manson, published in 2021.

Born in September 1968 in Philadelphia, Pennsylvania, Will described in detail what he learned from the people in his life, from the cradle onward. His life has not always involved the wealth and privilege conveyed in his hit song, “Parents Just Don’t Understand.”

Smith related anecdotes in which, like his father– he displayed poor impulse control. Smith’s father could be a mean drunk, while he himself sublimated the traumas he experienced from his family’s dysfunctionality through constant goal-oriented activity.

If Smith took even a short break from his fantasy life, and later, his working life, he would be forced to acknowledge other people’s emotions and possibly even face his own shortcomings. So he laser-focused on competing to be the best at whatever he was doing, in completing a mission.

The lowest point in Smith’s existence came in the early 1990’s, when he was saddled with crushing debt load. To make matters worse, his association with gang members posed a life-threatening situation. Law enforcement had caught up with them. Smith got in trouble when a friend protected him with a knockout punch to his attacker: “But as I sat in that jail cell, facing aggravated assault, criminal conspiracy, simple assault, and reckless endangerment charges for a punch I hadn’t even thrown…” He obviously grew from experience, but didn’t elaborate further.

Smith earned bragging rights for making movies that allegedly made more money than any other Hollywood actor’s movies, including Tom Cruise’s; he spent a longer amount of time than anyone else in promoting his movies in foreign countries, and performing in free concerts for his fans.

Read the book to learn many more details about: Smith’s childhood, the people who guided his careers, his wrongheaded notions that led to love-life failures, and some of his misbehaviors and extraordinary achievements.

Impresario

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“He was clearly in the early stages of what his colleagues referred to as Alzheimer’s, although it was never diagnosed as such. Whatever it was, it didn’t prevent him from functioning effectively much of the time, yet by this point…”

–Around 1969, Ed Sullivan began having “senior moments.”

The Book of the Week is “Impresario, The Life and Times of Ed Sullivan” by James Maguire, published in 2006.

Born in 1901 in East Harlem, Ed Sullivan grew up in the New York metropolitan area. He had a burning desire to become famous and rich. Therefore, beginning in his teen years, he met as many people as he could, and hung out at all the city’s hippest social clubs (celebrity hangouts) that featured alcohol and performances.

In 1948, he finally got to host his own show on TV, after paying his dues failing at radio shows and succeeding at writing a newspaper gossip column. Even so, he got lots of hate mail. His CBS-TV show, Toast of the Town was partially sponsored by Lincoln Mercury (car) dealers in Southern states. They were livid that he refused to stop shaking hands with and hugging black performers. Sullivan was racially egalitarian, but politically, rabidly anti-Communist.

With the 1955-1956 season, the show was renamed The Ed Sullivan Show— as the host had achieved his goals of wealth and stardom; media ratings, really. He began talks with Warner Bros. to make a movie of his life. In preparing the script for that endeavor, unsurprisingly, the clashing of egos resulted in back-and-forth shenanigans; summarized thusly: “When Jack Warner realized that Sullivan had completely thrown out Wallace’s second version… hearing of Sullivan’s plans for still more rewriting… He cancelled the film.” That was eight months after signing the contract.

In summer 1967, the CBS Standards and Practices department was strict about performers’ not saying specific words that smacked of sex or drugs. The band The Doors got away with “Girl, we couldn’t get much higher” in its song “Light My Fire” because the show was live, and the lead singer disobeyed the censors.

Anyway, read the book to learn much more about: how The Ed Sullivan Show was able to stay wildly popular and attain high ratings for decades despite its host’s lack of charisma; (Hint: It changed with the times in featuring guests who entertained audiences of all ages, until advertisers’ demands changed); the people who helped make it so; and the secrets of Sullivan’s success.

We Get Attention – BONUS POST

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Here’s a little ditty in connection with the real motives behind the ridiculous vacillations in the politically expedient pronouncements of the likes of Anthony Fauci, Bill Barr and Alan Dershowitz in the last three years and change.

WE GET ATTENTION

sung to the tune of “I Got Rhythm” (the studio version) with apologies to The Happenings.

In this hyped and waffling world
we often can get bossed.
And we’re like the network, Fox.
We flip-flop a lot because

clip-clip-clip-clip-clip-clip-clip-clip-clip-clip
clip-clip-attention
clip-clip-attention
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clip-clip-attention

We get attention.
We had power.
We’re in good company
when they ask for media whores.

We’ve got amnesic viewers.
And more good lines.
We’re in good company
when they ask for media whores.

We get money (We get money.).
We don’t have shame (We don’t have shame.).
You won’t find it
round our door.

No more fairness (No more fairness.).
No more balance (No more balance.).
We’re in good company
when they ask for, when they ask for,
media whores.

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We get money (We get money.).
We don’t have shame (We don’t have shame.).
You won’t find, you’re never gonna find it
round our door.

We get attention.
We had power.
We’re in good company
when they ask for media whores.

In this hyped and waffling world

clip-clip-clip-clip-clip-clip-clip-clip-clip-clip
clip-clip-attention
clip-clip-attention
clip-clip-attention
clip-clip-attention

We get attention.
We get attention.
We get attention.
We get attention.