Here’s the Deal – Bonus Post

This blogger read Howie Mandel’s autobiography, “Here’s the Deal: Don’t Touch Me” published in 2009.

Mandel has been a TV and movie actor, game show host and stand-up comedian. In this ebook, he reveals all of his psychological issues– ADHD, OCD, desperate need for attention, etc; “I was constantly consumed with my own pranks. I had no sense of boundaries.” Although his creative antics are amusing, he has poor impulse control. This has led to damaged relationships.

Read the book to learn how he became famous, despite, or arguably, due to his various mental and physical problems– he has used entertaining others as a coping mechanism to forget about the negative aspects of his identity.

Laughter’s Gentle Soul

The Book of the Week is “Laughter’s Gentle Soul, The Life of Robert Benchley” by Billy Altman, published in 1997. This is the biography of Robert Benchley, literary humorist and Hollywood writer and actor in the first half of the 20th century.

Born in 1889, Benchley had to pass a three-day battery of exams to get accepted to Harvard in 1908. He was known for witty, wiseass writing, and playing pranks. In the late nineteen teens, when the editor of Vanity Fair magazine went on vacation, Benchley and his coworkers dispersed “…outlandish banners, streamers, signs, crepe paper, and assorted parade paraphernalia” around the editor’s office. The editor was not amused when he returned.

In Benchley’s generation, the American populace read columns and essays in newspapers and magazines– major sources of information and entertainment then. Benchley was a member of the “Algonquin Round Table,” also called the “Vicious Circle” formally named in spring 1919. The group consisted of writers of various genres, leading ladies, artists and women’s rights activists. Its members regularly met at the Algonquin Hotel in New York City for dinner and drinks, and some, through connections with the super-wealthy, went on jaunts to Great Neck, Manhasset and Syosset on Long Island in New York State, and overseas, into the mid 1930’s.

In October 1923, the Algonquinites acquired a permit to play croquet in Central Park in New York City. They were incurable hedonists. In 1926, Benchley was best man at a friend’s wedding in California, at which he appeared with a broken leg he’d gotten from a fall at a party. “That the [plaster] cast had been profusely autographed with lewd comments by most of the guests at the bridegroom’s bachelor party only added to Benchley’s embarrassing popularity at the ceremonies.”

In 1928, an acquaintance of Benchley chartered a private plane to fly them from London to Paris. At that time, such aircraft was extremely noisy, even for the passengers, and there was no heat in the cabin.

Benchley became a Broadway theater critic for The New Yorker magazine. “With hundreds of productions surfacing each season, the theater critics of Benchley’s era had the ill fortune to confront, over and over, shows with identical or nearly identical plots, character types and even dialogue.”

Read the book to learn other details of Benchley’s professional and personal life on both coasts.

 

Man Up! – Bonus Post

This blogger skimmed “Man Up!” by Ross Mathews, published in 2013. This ebook is the autobiography of the guy best known for appearing as “Ross the Intern” on the Tonight Show with Jay Leno.

Read this bunch of lighthearted anecdotes to learn of the author’s relationships with various female celebrities, the life lessons he was subjected to in high school and college, and how he became famous.

Drama

The Book of the Week is “Drama: An Actor’s Education” by John Lithgow, published in 2011. This ebook is Lithgow’s autobiography.

The author has had a very successful acting career in theater, TV and movies. He learned from his father– a super role model and passionate producer of Shakespeare festivals. His father’s career necessitated the family’s relocating every few years, from Ohio to Massachusetts to New Jersey and elsewhere; a disruptive force in his social life. Nevertheless, Lithgow earned a full scholarship to Harvard, where he continued to hone his acting skills.

Read the book to learn how the author escaped the Vietnam draft, about his 1970’s theater experiences in twelve Broadway shows, his explanation of why actors have trouble staying faithful in their love lives, and his professional and personal trials and tribulations.

Life Is Not a Stage

The Book of the Week is “Life Is Not a Stage” by Florence Henderson with Joel Brokaw, published in 2011. This is Henderson’s autobiography. She is best known for playing the mother in the American TV sitcom “The Brady Bunch” which initially aired from 1969 to 1974.

Her early life was difficult to say the least, because she was born to a poverty-stricken family with an alcoholic father at the height of The Great Depression, the youngest of ten siblings. In Indiana. Her mother left her father when she was thirteen. But she had singing talent, so she had that going for her, which is nice (apologies to Bill Murray). She has been a Broadway actor, TV star, night club singer and has also been in movies.

Read the book to learn how:  but for Henderson’s good friend from a wealthy family, Henderson probably would not have had the fabulous career she has had; she was a product of her time as a female; despite all her fame and fortune, she has suffered much unhappiness; and how her outlook on life has seen her through many difficulties and allowed her to keep her sanity and avoid dying young like so many other super-famous entertainers.

Stephen Sondheim

The Book of the Week is “Stephen Sondheim: A Life” by Meryle Secrest, originally published in 1993. This is the biography of a Broadway composer who was born in spring of 1930.

In 1946, when Sondheim was attending Williams College, he was finally accepted to a fraternity on his third attempt. Many fraternities automatically prejudged people who had last names that were perceived as Jewish, and rejected them. Throughout this entire book, there was mention of neither Sondheim’s religious observances, if any, nor of his beliefs. Nevertheless, in the spring of 1948, Sondheim religiously wrote more than twenty musical numbers for a show that parodied the school.

After graduation, Sondheim wrote an entire musical. Oscar Hammerstein, a family friend in his childhood, became his mentor. He taught Sondheim that “an author was not writing to satisfy himself… or even the actors… His main consideration should be how to relate the work to the audience’s experience… if the sympathies of the audience were not engaged, it did not matter how brilliant the work was.” The musical, on the initial draft, was angry and bitter, and had no likeable characters– they were all jerks. This blogger is reminded of various unfunny works of that nature: the plays, “Art” and “Some Americans Abroad” and the TV shows, “Curb Your Enthusiasm” and “The Office.”

On a more entertaining note, Sondheim also invented a board game called “Stardom” in which players have sex with show-business celebrities in order to reach the peak of the social ladder. There were different levels of fame and real properties (like in Monopoly) of stars’ homes. However, a player would regress when an opposing player leaked a rumor of a love affair to a gossip columnist.

Sondheim’s score of West Side Story (both a musical and a movie-musical) became popular largely due to the movie’s expensive ad campaign; people had a chance to get to like it. Absent the making of the movie, the songs would have languished in obscurity.

In 1960, Sondheim bought a house in the Turtle Bay section (East 40’s) of Manhattan, five stories high, for $115,000. It was next door to Katharine Hepburn’s. He and the other creators of “A Funny Thing Happened on the Way to the Forum” learned from producer/director Jerome Robbins that the opening number of a musical is crucial for setting the tone for the whole show, so it must be likeable and indicative of the nature of the show.

At age 29, Sondheim formed his own publishing company in order to make significantly more money than other composers. By age 32, he had three hit Broadway shows under his belt. During his career, he wrote more than eight hundred songs.

Read the book to learn the rest of the intimate details of Sondheim’s life.

Three On A Toothbrush

The Book of the Week is “Three On A Toothbrush” by Jack Paar, published in 1965.  This is an autobiographical account of Paar’s adventures in the early days of television. It might be recalled that he hosted “The Tonight Show.” What Paar was learning was embodied in Fred Allen’s prescient quote, that “Everything is for the eye these days– TV, Life [magazine], Look [magazine], the movies. Nothing is just for the mind. The next generation will have eyeballs as big as cantaloupes and no brain at all.”

Paar had some memorable moments during his career. He and a television crew visited the Solomon Islands to meet the native who saved the life of President John F. Kennedy during the “PT109 incident” in WWII.  Needless to say, the president had a crack public relations team. During another escapade, Paar drove around Westchester County, New York with a lion in his car.

Read the book to learn more about Paar’s exciting livelihood.

Dirty Daddy

The Book of the Week is “Dirty Daddy” by Bob Saget. This is a tell-all autobiography. Some people are shocked to learn of Saget’s stand-up comedy persona–all toilet and sex jokes– because they knew him only as the goody-goody father of three young daughters on the 1980’s American sitcom “Full House.”

Saget writes that the development of his dirty image was influenced by his father, a butcher, who had a lively, shameless sense of humor. He rambles on a little too long about relationships– his own, and in general. Nevertheless, one should read this book to learn about the people and experiences that shaped his life through his gratuitous name-dropping and lighthearted anecdotes, if one can stomach occasionally repulsive scenes.

Put On A Happy Face

The Book of the Week is “Put On A Happy Face” by Charles Strouse, published in 2008. This is the career memoir of a Broadway composer.

The most famous shows he wrote for were “Bye Bye Birdie” and “Annie.” Strouse claimed credit for “discovering” Sarah Jessica Parker, who played Annie for a year.

Around 1960, “… there were seven major New York City newspapers, and all the critics came to the opening night unlike today when only the New York Times matters and the critics are invited to different preview performances.” This blogger thinks even the Times is fading in importance, due to radical changes in communications technologies– causing society to become more of a meritocracy– a good thing.

Read the book to learn about Strouse’s early-career struggles, his experiences working with various people (such as Sammy Davis, Jr.) and on various shows (such as “It’s a Bird…It’s a Plane… It’s Superman!” the 1966 Broadway musical) into which he put his heart and soul.