Sesame Street Dad

The Book of the Week is “Sesame Street Dad” by Roscoe Orman, published in 2006. This is a general overview of Orman’s performance history in theater, in film and on television, and a comprehensive listing of the famous people with whom he worked. It reads more like a curriculum vitae than a memoir, but it is well organized in chronological order and has a comprehensive index.

The book is somewhat of a bragfest, and the author writes as though he is at a job interview. One section even tells of his encounters with U.S. first ladies who visited the set of Sesame Street. He also discusses how, in recent years, funding has been reduced significantly for that unique educational program, which is on public television. The show has suffered even more budget reductions of late, due to resource-rich, dumbed-down competition from cable channels.

Orman was luckily afforded mentors after he graduated high school in the early 1960’s. He took acting, singing and dancing lessons. He did summer stock theater, and joined a troupe– Free Southern Theater– that presented civil-rights related shows in the Deep South. However, jealousy among this and other acting groups generated competition rather than cooperation in the black theater community. Marijuana and cocaine also added to their problems.

The author started playing the character, “Gordon” on Sesame Street in 1974. The TV show had an anomalous shooting schedule, so its cast and crew were permitted to do other projects in the long off-season. Orman made extra money by making celebrity appearances via the American Program Bureau and later, Paul Jacob Productions. He was easily recognized by viewers as Gordon, but since Sesame Street is a children’s show with a mix of puppets and humans of all ages, the names of its performers are neither as well known nor is their acting as talked about as those of a long-running hit show comprised of adults.

Read the book to learn of the historical reference points in Orman’s life, in his quest for self-discovery and artistic growth, that he wants to “… pass along to my children and their fellow ‘hip-hop-generation-Xers.’ “