Music Industry – education and deconstruction.com

Will

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The Book of the Week is “Will” by Will Smith with Mark Manson, published in 2021.

Born in September 1968 in Philadelphia, Pennsylvania, Will described in detail what he learned from the people in his life, from the cradle onward. His life has not always involved the wealth and privilege conveyed in his hit song, “Parents Just Don’t Understand.”

Smith related anecdotes in which, like his father– he displayed poor impulse control. Smith’s father could be a mean drunk, while he himself sublimated the traumas he experienced from his family’s dysfunctionality through constant goal-oriented activity.

If Smith took even a short break from his fantasy life, and later, his working life, he would be forced to acknowledge other people’s emotions and possibly even face his own shortcomings. So he laser-focused on competing to be the best at whatever he was doing, in completing a mission.

The lowest point in Smith’s existence came in the early 1990’s, when he was saddled with crushing debt load. To make matters worse, his association with gang members posed a life-threatening situation. Law enforcement had caught up with them. Smith got in trouble when a friend protected him with a knockout punch to his attacker: “But as I sat in that jail cell, facing aggravated assault, criminal conspiracy, simple assault, and reckless endangerment charges for a punch I hadn’t even thrown…” He obviously grew from experience, but didn’t elaborate further.

Smith earned bragging rights for making movies that allegedly made more money than any other Hollywood actor’s movies, including Tom Cruise’s; he spent a longer amount of time than anyone else in promoting his movies in foreign countries, and performing in free concerts for his fans.

Read the book to learn many more details about: Smith’s childhood, the people who guided his careers, his wrongheaded notions that led to love-life failures, and some of his misbehaviors and extraordinary achievements.

Behind the Candelabra

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The Book of the Week is “Behind the Candelabra, My Life With Liberace” by Scott Thorson with Alex Thorleifson, published in 1988.

Born in Milwaukee, Wisconsin in May 1919, the pianist who became known as Liberace (he used his family’s last name as his stage name) had three younger siblings. The father abandoned the family when he was an adolescent. However, Liberace was his mother’s favorite. Upon seeing that he had piano-playing talent, she had him practicing all the time, instead of socializing with his peers. She also practiced spousification. He began to get paid for his musicianship at fourteen, playing with a band in saloons.

Piano concerts were only the setting for Liberace’s performances. His witty verbal jousts, audience participation, makeup, ten or more changes of glittery costumes, jewelry galore, and flamboyant props and sets– were par for the course.

According to the book (which appeared to be credible although it lacked an extensive list of detailed sources, and an index), Liberace was very emotionally needy. Once he became rich and developed Peter Pan syndrome, he felt the need to flaunt his high-on-the-hog lifestyle. As an adult, he became a father figure to a series of young males one at a time (but also had an army of servants), sharing his wealth and material possessions with them. However, he was the controller of the relationships, and would break up with them when they expressed too much desire for independence.

At the dawn of his twenties, Scott Thorson met Liberace and became his personal assistant in the summer of 1977. Thorson had suffered through a difficult childhood in a series of foster homes. He soon became Liberace’s surrogate son, and learned of the pianist’s excesses. He enjoyed his new role at first, as his interests meshed with his boss’s. They cared for pet dogs and horses, shopped for and wore elaborate clothing, ate sumptuous meals, met other celebrities, and traveled in style to go on tour.

Their first Christmas together, Thorson was tasked with purchasing holiday merchandise. He wrote, “That year, we had eighteen huge Christmas trees [in Liberace’s mansions in Las Vegas and Palm Springs CA, at a cost of $25,000], more than 350 red and white poinsettias, table decorations, greenery, wreaths– enough candles, lights, and tinsel to stock a department store.”

Read the book to learn of Thorson’s fate: when Liberace asked him to make a serious physical sacrifice; and how Thorson handled the responsibilities and stresses of living with a celebrity such as Liberace– with its many kinds of orgies, including those of litigation in the end.

Extreme – BONUS POST

The Bonus Book of the Week is “Extreme, My Autobiography” by Sharon Osbourne with Penelope Dening, published in 2005.

Born in October 1952 in the United Kingdom, Osbourne grew up in a dysfunctional family. In this volume, she revealed how her father– Don Arden– a music-industry executive got away with committing an excessive number of financial crimes. Basically, he never signed legally-binding contracts, but had his daughter and other members of his entourage sign them, so when it hit the fan, they were on the hook, not him. His contacts in high places did his bidding until his bullying and contentiousness wore thin and they abandoned him.

Arden bribed a U.S. senator to help Osbourne acquire a green card. She thus became a permanent resident of America and got a Social Security number so that he could commit tax evasion. Of course, he also hid his assets in offshore bank accounts, which the United States cannot outlaw. Her formal education ended when she quit high school in her sophomore year. So her limitations led her to join the family business. In her early twenties, she was so flattered that her father trusted her with important documents that she happily signed everything put in front of her.

Osbourne met her future husband Ozzy in the late 1970’s. He was the lead singer of the rock band, Black Sabbath. “The music business in those days was a boys’ club, fueled by cocaine and sexual favors. These were the days of payola and Mafia involvement…” But Osbourne would sooner get violent with the boys than give in to their advances or threats.

Read the book to learn many more details about the lives of Osbourne and her family, trials, tribulations and triumphs.

20 Years of Rolling Stone – BONUS POST

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The Bonus Book of the Week is “20 Years of Rolling Stone, What A Long, Strange Trip It’s Been” edited by Jann S. Wenner, published in 1987. This volume was comprised of some of the best articles from the magazine on its twentieth anniversary.

One contributing writer who always delivered rich, colorful prose was Hunter S. Thompson. In April 1972, he described his beef with America’s brand of leaders thusly: “…crowd pleasers are generally brainless swine who can go out on a stage to whup their supporters to orgiastic frenzy, then go back to the office and sell every one of the poor bastards to the Conglomerate Loan Company for a nickel apiece.”

In March 1975, Howard Kohn penned a serious piece (headlined “Malignant Giant”) about Karen Silkwood, a nuclear-power plant worker and whistleblower who tried to alert America to the dangers of radioactive substances such as plutonium. Sadly, her story is typical for this country, on the nuclear power conundrum. The author provided (scary!) information on the link between radiation– especially that emanating from plutonium– and CANCER:

lab animals have developed cancer from as little as a millionth of a grain of plutonium;

all people on earth would very nearly certainly develop cancer from a carefully dispersed softball-sized parcel of plutonium;

“Silkwood learned that several [workers] had no idea that plutonium could cause cancer.”

When airborne plutonium is inhaled, human lungs cannot be decontaminated.

The cancer rate among employees of Silkwood’s workplace was seven times higher than that of the population of the United States, according to the Denver Post at the time.

The article causes the reader to wonder what the real cancer rates are from the toxins to which everyone is unwittingly exposed on a daily basis (never mind power plants), not only in the U.S., but in Japan, China and France.

Anyway, read the book to learn about or nostalgically relive the era of (excuse the cliche) sex, drugs, and rock and roll of Wenner’s crowd, and see (uncensored!) photo spreads.

The Life and Times of Little Richard

The Book of the Week is “The Life and Times of Little Richard, The Quasar of Rock” by Charles White, published in 1984. This story included quotes from people who knew the subject, and quotes from the subject himself. WARNING: As is well known, Little Richard was a rock star; this volume described graphic sex scenes.

Born in Macon, Georgia, Richard Penniman was the third child of thirteen born to a teenage mother in December 1932. He was a problem child and class clown, having a crying need for constant attention. Fortunately, he was supervised and disciplined by a tight-knit African-American community that encouraged his talent, so although he was always getting into trouble, he avoided doing serious harm to people or damaging property, or becoming a career-criminal. Throughout his life, he vacillated between singing religious music, and singing music he perceived as banned by his religion.

At a young age, Richard began singing gospel music with a group of other kids organized by an adult from the local church. His mother was raised as a Baptist; his father, a Methodist. He himself preferred to attend a Pentecostal church. In high school, he learned to play the saxophone in a marching band. In the 1950’s he saw traveling musicians at the local concert hall, and even got to meet a few of the greats of that era, such as Cab Calloway.

At fourteen years old, Richard left home to become a singer in the floor-show of a literal traveling snake-oil-salesman. He soon transferred his talents to singing and developing his own style of attention-grabbing choreography, with a band that played the standards, that traveled all over the state of Georgia. Over the next few years, he performed with a series of bands, met lots of people in the community, and attended numerous shows of the period– minstrel, vaudeville and night-club.

In October 1951, Richard got his first recording-contract with RCA. He was to deal with various music companies in the years to come. At that time, he was singing rhythm and blues, and wore a pompadour. He sang other people’s songs. He soon switched to rock and roll.

Later, Richard’s signature song got lots of laughs from night-club audiences for its initial obscene lyrics– “Tutti Frutti, good booty – if it don’t fit, don’t force it, you can grease it, make it easy…” Of course, the song had to be rewritten to be played on the radio. Richard resented the fact that Pat Boone (a white singer) sang a cover version that was made number one in the radio countdown. Richard’s own concert audiences were about 90% white.

In the 1950’s, the back room of a furniture store served as a recording studio. The space was large enough to accommodate a full orchestra and grand piano. But someone had to make adjustments for the acoustics of the room via careful placement of microphones and locating the drummer outside the door.

After a while, Richard realized he had been repeatedly cheated of reasonable compensation, given his talent and how hard he worked. In the mid-1950’s, pursuant to his contract, he made half a cent for each record sold.

The powers-that-be obviously knew how to maximize profits– the early rhythm and blues holding-companies had music-publishing companies, which owned the record companies. One way Richard and his concert-entourage wised up, was to demand half their pay when they signed a contract, and collect their remaining pay just before they went onstage. Or else they wouldn’t go onstage.

Richard eventually accumulated sufficient wealth to buy a house for his mother and siblings in the Sugar Hill district of West Los Angeles, next door to Joe Louis. Other famous singers such as Elvis, Bill Haley and Buddy Holly began covering Richard’s songs. When Richard gave concerts with his band, the Upsetters, he wore crazy clothes, makeup and had long hair. The band members got their hair done at a beauty salon. At one performance in El Paso, Texas, Richard was arrested for having that long hair.

Read the book to learn a wealth of additional details on Richard’s life, including what transpired when: Richard found God again, stopped his drug addiction, alcoholism and promiscuity, had to deal with racial issues, and much more.

Harry Belafonte / Shirley Chisholm

The First Book of the Week is “Harry Belafonte, My Song, a Memoir” with Michael Shnayerson, published in 2011.

Born in March 1927 on the Upper East Side of Manhattan, the singer best known for the “Banana Boat Song” actually did a lot more in his lifetime than give concerts and act. He was instrumental in helping fund and organize the civil rights movement.

Belafonte’s older relatives were interracial; they hailed from Jamaica in the Caribbean; the light-skinned ones living there were Scottish. Growing up dirt poor, he lived alternately between upper Manhattan and Jamaica for years at a time, bounced among them.

For Belafonte, it was one psychological trauma after another. He had undiagnosed dyslexia, in addition to having accidentally with sewing scissors, as a toddler, blinded himself in one eye.

Fortunately, Belafonte’s mother, an illegal immigrant, had survival skills. But she practiced spousification with him in his early years. When he was five years old, he was tasked with taking care of his baby brother while she worked. She instilled in him a love of music, taking him to see the great singers of the 1930’s and 1940’s at the Apollo Theater in upper Manhattan.

The author’s mother hired someone to give him piano lessons. However, he played hooky from them because the teacher cruelly beat his fingers, just like the nuns at his parochial school. He ended up quitting school for good in the middle of ninth grade.

Belafonte’s father, an abusive, mean drunk, was frequently out of town– either acting as head chef on a banana boat in the Caribbean, or philandering. But there were a few occasions of quality time, playing marbles.

Belafonte was able to pay for drama school with the G.I. Bill, after his Navy service during World War II. He befriended the politically-active, drama and jazz crowds, many of whom, like him, would later became world famous.

By the early 1960’s, the nation was violently divided. Martin Luther King, Jr. reminded Belafonte that “… compromise was a crucial tenet of nonviolence. If compromise got you closer to your goal, then it was worth any loss of face.” As is well known, there was excessive bloodshed throughout the 1960’s– so there must have been a lot of men who couldn’t stand to swallow their pride for the good of the nation.

Anyway, read the book to learn why Belafonte, even after becoming fabulously famous and wealthy, never did lead a charmed life. He did, however, raise funds for Shirley Chisholm.

The Second Book of the Week is “Shirley Chisholm, Catalyst for Change” by Barbara Winslow, published in 2014.

Born in Brooklyn in 1924, Chisholm had a grandfather who worked on the Panama Canal, whose construction spurred the upward mobility of sugarcane slaves from Barbados. Her ancestors believed in education and home ownership.

Chisholm spent roughly three and a half years of her early childhood in Barbados; the rest, in New York City. She experienced culture shock moving from a rural, agricultural village to big, scary, crime-ridden neighborhoods– Brownsville, and then Bedford-Stuyvesant, both in Brooklyn.

Chisholm’s goal was to become an elementary school teacher but she couldn’t get hired because she was black. With her master’s degree in early childhood education, Chisholm eventually became a consultant to the day care department of New York City’s welfare agency, supervising tens of employees. She “… would always have to face men who tried to infantilize, patronize or demonize her.”

In 1964, Chisholm won an assembly seat in New York State. She worked with three other black politicians in New York: Charles Rangel, David Dinkins and Percy Sutton. She was very prolific; eight of the fifty bills she sponsored were passed.

In 1968, with the slogan, “Vote for Shirley Chisholm for Congress– unbought and unbossed” she became the first African American woman elected to Congress. When she expressed her intention to run for president in 1972, men bristled.

Chisholm had a particular reason for rescinding her plan to personally campaign in Wisconsin, involving public relations. She disappointed a bunch of dedicated grass-roots volunteers. But she would have visited the state for only two or three days anyway, and not have gotten significant support over and above her loyal followers’. So by not visiting, she could brag that she got, say, 5% of the vote without even campaigning there– that’s how much people loved her.

In May 1972, after racist presidential candidate George Wallace was shot, Chisholm behaved compassionately, visiting him in the hospital.

Read the book to learn more about Chisholm’s life and times, including why she was actually bossed, but not bought.

boys in the trees – BONUS POST

The Bonus Book of the Week is “boys in the trees (sic), A Memoir” by Carly Simon, published in 2015.

Born in 1945 in Manhattan, Simon grew up in a wealthy, dysfunctional family of four children. Her father was the co-founder of Simon and Schuster, the publishing giant. When Simon was eight years old, her 42 year-old mother acquired a boyfriend, in the guise of a 19 year-old babysitter for Simon’s younger brother. The family moved to Riverdale (the northwesternmost section of the Bronx in New York City) and summered on Martha’s Vineyard in Massachusetts. The family hung out with the literary, political and musical celebrity crowd in the 1940’s and 1950’s.

Simon found that music soothed her troubled soul. She became a stutterer at an early age, due to prepubescent sexual encounters with an older boy. Her uncle became a second father to her, as her biological father chose the younger of her two older sisters, as his favorite.

Simon was to have “… many difficult experiences with men in the music business.” When she was in her late teens, one or both of the men who helped her record her first song professionally, “… deliberately sabotaged the track; cutting it in the wrong key as payback for me not responding to their sexual advances.”

Nevertheless, Simon bragged about having sex with various big names; Jack Nicholson, Cat Stevens, Warren Beatty and Michael Crichton among them. She claimed that her song, “You’re So Vain” does not represent any one person. The original lyrics do say, “clouds in my coffee” and not “grounds in my coffee.”

Read the book to learn everything you ever wanted to know about Simon’s relationship with James Taylor, plus other information about her family and emotional states, through the time she had to cancel her concert series due to mental illness, in the early 1980’s. The book did not cover her career comeback.

Appetite for Self-Destruction

The Book of the Week is “Appetite for Self-Destruction, The Spectacular Crash of the Record Industry in the Digital Age” by Steve Knopper, published in 2009. This is an account of how the American music industry, for the most part, reacted badly to the jarring changes wrought by technological advances starting in the late 1970’s.

For decades prior to the 1970’s, the music market in the United States had had a shady reputation– involving drugs, kickbacks, bribes and cronyism, among other vices.

Even after CDs proved to provide sound that was superior to plastic records, entities in the music industry supply chain resisted making CDs because it necessitated the reconfiguring of their: factories, marketing materials, store displays, etc. Modernizing everything was expensive.

In 1978, the Sony CDP-101 could play the first CD title: “52nd Street” from Billy Joel. But only in Japan. PolyGram Records, CBS Records and Sony understood the value of the new product. Arista Records, Capitol Records and EMI didn’t.

In addition to the widespread introduction of CDs in America by the late 1980’s, the sale of CBS Records was another disruptive force in the industry, resulting in power struggles and lots of layoffs. The old-school record labels depended on MTV, radio and music stores to distribute their wares for another decade.

The tail end of the 1990’s saw a new technology that really turned the industry on its ear: the World Wide Web. It enabled people to create software that allowed free (no-cost and no restrictions) electronic-music-file sharing. In December 1999, the organization regulating intellectual property rights on music, the RIAA, sued one of the major organizations doing the sharing– Napster– for copyright violations. By the following summer, the latter had approximately nineteen million users per month.

Read the book to learn of the outcome of the above and other legal battles; the new 1990’s and early 2000’s music conduits and devices, their relationships to the laws on music piracy; and many other actions taken by the American music industry that have fueled the current state of digital music sales.

Ethel Merman, An Autobiography

The Book of the Week is “Ethel Merman, An Autobiography” with George Eells, published in 1978.

Born in 1912 in Astoria (a section of Queens in New York City), Ethel Merman started singing when she was five years old. Her parents encouraged her to do so. By the tail end of the 1920’s, she had acquired stenography/shorthand training and had become a secretary, just in case the show business thing didn’t work out.

Working full-time during the day, and singing in dives at night and on weekends, Merman was extremely lucky to be “discovered” in a matter of a few years. She got herself an agent and was off and running. She played in big-name clubs, movie venues and vaudeville theaters in and around New York City– doing five shows a day at the Brooklyn Paramount. She got to meet celebrities like singer Guy Lombardo and composer George Gershwin. She sang in the musical “Girl Crazy” on Broadway.

Merman never had singing lessons or a vocal coach; she was just a natural. Early on, Ginger Rogers got paid $1,500 a week, while Merman got $375. For a number of years, Merman moved back and forth between Los Angeles to make movies, and New York City to appear in Broadway musicals.

In the 1930’s, Broadway musicals thrived. The culture was such that “Nobody worried whether it [a song] fit logically into the score, and the successful songwriters thought more about reaching the top of the Hit Parade than integrating the song into the story.” She played Annie in “Annie Get Your Gun” eight times a week for two years between 1945 and 1946.

The one beef Merman had about her fabulous career, though, was the media’s intrusion into her private life. Read the book to learn the details of her almost instantaneous and long-lived success, her psychologically troubled love life, and much more.

Up Late With Joe Franklin

The Book of the Week is “Up Late With Joe Franklin” by Joe Franklin with R.J. Marx, published in 1995. This is the career memoir of an entertainment jockey.

Franklin started his career in radio, playing old records. He was a compulsive hoarder of them. When he moved to television, he introduced old movies. Then he became a late, late night talk show host. Although Franklin had popular shows that ran for years and years, fewer people have heard of him than of other talk show hosts because his shows ran at 1am or later.

Read the book to learn how Franklin achieved his entertainment success, and a little trivia about tens (out of hundreds) of the celebrity-guests Franklin had on his shows, which ones he interviewed before they were famous, and the ones he claims he made famous.