Psychedelic Bubble Gum

The Book of the Week is “Psychedelic Bubble Gum” by Bobby Hart, published in 2015. This is the autobiography of a singer/songwriter.

Hart started his career in 1958, at eighteen years old. He was signed to a management/recording artist contract, but he had to “pay to play.” It cost him $400– a lot of money in those days– for the privilege of recording, with other musicians, “A” and “B” sides of two 45-rpm records. His producer did hire top-notch talent, however.

In the early 1960’s, every weekend, Hart played music at high school auditoriums around southern California with already-famous groups such as Jan and Dean, the Righteous Brothers, the Coasters and the Beach Boys. He wasn’t paid for it, but he had to do it in exchange for the promotion of his records in Los Angeles.

This blogger was a bit perturbed by the author’s factually erroneous line, “… in the upscale New York City suburb of Riverdale.” The author’s producer’s Manhattan office contained numerous cubicles occupied by singer-songwriters, including Hart and his songwriting partner, Tommy Boyce. They cooperated well and weren’t credit-grabbers. In 1964, he and Boyce wrote a song for Jay Black & the Americans. He got 1/3 of a cent per record sold, because his two co-writers got royalties, too.

Read the book to learn how he came to co-write songs for The Monkees (who sold more records than The Beatles and The Rolling Stones combined) and The Partridge family, what transpired when he and his partner hired an aggressive manager, and how he built a successful recording and performing career.

What’s So Funny

The Book of the Week is “What’s So Funny?” by Tim Conway with Jane Scovell, published in 2013. This is the comedian’s autobiography. An only child born in December 1933 to an Irish father and Romanian mother, he grew up in a suburb of Cleveland. The former groomed horses and the latter made slipcovers for sofas at a time they were becoming popular in American living rooms. Conway is best known for acting on the Carol Burnett Show.

Conway started gaining experience in an entertainment career in his mid-20’s, at a Cleveland radio station. When he had “made it” on TV, he performed material he had written himself. In the early 1960’s, Steve Allen, the late-night talk-show host, told Conway to change his first name from Tom to Tim, because there was another performer named Tom Conway, so he did.

Read the book to learn of the antics Conway used to break into show business in his generation, and of the characters who populated his life.

Dean & Me

The Book of the Week is “Dean & Me” by Jerry Lewis and James Kaplan, published in 2005. This is a career memoir of one half of the super-successful comedy team, “Martin and Lewis.”

Starting in the mid-1940’s, Dean Martin and Jerry Lewis did live shows of banter, singing and slapstick, and performed in movies, on recordings and on TV and radio. They hobnobbed with “The Rat Pack”– other night-club and casino comedians and singers who included Frank Sinatra, Joey Bishop and Sammy Davis, Jr., in the late 1950’s.

Read the book to learn about Lewis’ complex, love-hate relationship with Martin, Lewis’ later solo career, and the nature of American comedic entertainment in the mid-twentieth century.

Sesame Street Dad

The Book of the Week is “Sesame Street Dad” by Roscoe Orman, published in 2006. This is a general overview of Orman’s performance history in theater, in film and on television, and a comprehensive listing of the famous people with whom he worked. It reads more like a curriculum vitae than a memoir, but it is well organized in chronological order and has a comprehensive index.

The book is somewhat of a bragfest, and the author writes as though he is at a job interview. One section even tells of his encounters with U.S. first ladies who visited the set of Sesame Street. He also discusses how, in recent years, funding has been reduced significantly for that unique educational program, which is on public television. The show has suffered even more budget reductions of late, due to resource-rich, dumbed-down competition from cable channels.

Orman was luckily afforded mentors after he graduated high school in the early 1960’s. He took acting, singing and dancing lessons. He did summer stock theater, and joined a troupe– Free Southern Theater– that presented civil-rights related shows in the Deep South. However, jealousy among this and other acting groups generated competition rather than cooperation in the black theater community. Marijuana and cocaine also added to their problems.

The author started playing the character, “Gordon” on Sesame Street in 1974. The TV show had an anomalous shooting schedule, so its cast and crew were permitted to do other projects in the long off-season. Orman made extra money by making celebrity appearances via the American Program Bureau and later, Paul Jacob Productions. He was easily recognized by viewers as Gordon, but since Sesame Street is a children’s show with a mix of puppets and humans of all ages, the names of its performers are neither as well known nor is their acting as talked about as those of a long-running hit show comprised of adults.

Read the book to learn of the historical reference points in Orman’s life, in his quest for self-discovery and artistic growth, that he wants to “… pass along to my children and their fellow ‘hip-hop-generation-Xers.’ “