High

The Book of the Week is “High” by Brian O’Dea, published in 2006. This book describes the adventures of an international drug-smuggling participant and addict between the 1970’s and the very early 1990’s.

O’Dea was the son of a brewery owner in Newfoundland, Canada. In the mid-1970’s, he and his smuggling partners secreted cocaine “… in false-bottomed suitcases at the factory in Bogota (Colombia) and muled to Kingston (Jamaica) via Lufthansa…” and unloaded the drug at Montego Bay. Other partners “… would be getting strapped up with the product on their thighs and stomachs and backs. Each person would carry between two and four kilos, worth between $100,000 and $200,000.”

Read the book to learn of the author’s Jamaica trials and tribulations with airplane mishaps, romantic subplots, prison and addiction experiences, his role in an elaborate three-continent marijuana distribution concern, and what finally became of him.

Psychedelic Bubble Gum

The Book of the Week is “Psychedelic Bubble Gum” by Bobby Hart, published in 2015. This is the autobiography of a singer/songwriter.

Hart started his career in 1958, at eighteen years old. He was signed to a management/recording artist contract, but he had to “pay to play.” It cost him $400– a lot of money in those days– for the privilege of recording, with other musicians, “A” and “B” sides of two 45-rpm records. His producer did hire top-notch talent, however.

In the early 1960’s, every weekend, Hart played music at high school auditoriums around southern California with already-famous groups such as Jan and Dean, the Righteous Brothers, the Coasters and the Beach Boys. He wasn’t paid for it, but he had to do it in exchange for the promotion of his records in Los Angeles.

This blogger was a bit perturbed by the author’s factually erroneous line, “… in the upscale New York City suburb of Riverdale.” The author’s producer’s Manhattan office contained numerous cubicles occupied by singer-songwriters, including Hart and his songwriting partner, Tommy Boyce. They cooperated well and weren’t credit-grabbers. In 1964, he and Boyce wrote a song for Jay Black & the Americans. He got 1/3 of a cent per record sold, because his two co-writers got royalties, too.

Read the book to learn how he came to co-write songs for The Monkees (who sold more records than The Beatles and The Rolling Stones combined) and The Partridge family, what transpired when he and his partner hired an aggressive manager, and how he built a successful recording and performing career.