Just the Funny Parts – BONUS POST

The Bonus Book of the Week is “Just the Funny Parts… And a Few Hard Truths About Sneaking into the Hollywood Boys’ Club” by Nell Scovell, published in 2018.

Born in Boston, MA in November 1960, Scovell was the third of five siblings. She became a comedy writer, producer and director in Hollywood.

Scovell wrote of the many issues female writers face in the writers’ room, and in higher-level positions, if they achieve the great feat of actually getting hired in the entertainment industry. For, gender discrimination still persists. Females are still conditioned by society to feel as though the employers are doing them a favor for giving them a job, rather than feeling they deserve it on the merits.

Scovell– by writing an article that prompted truly important discussions on daytime talk shows– made Americans more aware of the fact that for decades, the late-night talk shows had been hiring practically all male writers. She herself had written for Late Show with David Letterman and felt “awkward, confused and demorazlied” due to the male-dominated work environment. She quit of her own accord after a short time.

Scovell said, “But in the real world, awareness more often leads to defensiveness which leads to excuses… you must also be aware that your knee-jerk defensiveness is part of the problem.” Simply saying, “Some of my best friends are female” doesn’t get them equal treatment in the workplace. Which should spark a discussion of gender-related issues of the impeachment brouhaha presently plaguing the U.S. government and the U.S. propaganda community. Which sometimes are the same thing.

First of all, Nancy Pelosi, a female, is the point person for the House of Representatives in connection with the impeachment vote. The way she is portrayed in the media and social media is crucially important to how the public views the whole story, and public opinion can have a tremendous influence on Congress’ activities.

A male Speaker would set a completely different tone– not necessarily intentionally, but simply due to subconscious conditioning by American society. Psychological research has shown that both females and males perceive females in a negative light, but perceive males in a positive light– when asked to comment on a hypothetical someone in a leadership position, having been told the leader’s gender.

As is well known, in 1998, former president Bill Clinton had an impeachment proceeding launched against him for lying under oath about his salacious activities in the Oval Office. That was a male-on-male attack borne of political vengeance. If females had been in the mix (in a major way, leadership-wise), there would have been a different dynamic.

Interestingly, Trump has nicknamed Pelosi, “Nervous Nancy” for a reason. He is trying to razz her to put her at a psychological disadvantage. One of Scovell’s male coworkers said something like that to Scovell when she worked for Letterman, and it became a self-fulfilling prophecy.

On another topic, perhaps there is an algorithm for the bad behavior of U.S. presidents. Clinton copied his hero, JFK, who was rumored to have had similar liaisons about thirty-seven years earlier. Trump copied his hero, Ronald Reagan, who was engaged in non-standard foreign policy activities, about thirty-seven years ago.

There must have been some Congress members in Clinton’s administration who fondly remembered JFK. There must be some Congress members in Trump’s administration who fondly remember Reagan. However, the two presidents’ legal situations are a generation apart– have different political, cultural and social backdrops, and have very different sets of facts.

Comparing the troubles of the current American leader with other past leaders isn’t exactly on-point, either. The older generation has seen political turmoil before, so “Have you no decency left” and “I am not a crook” are cliches.

If one is considering emotionally troubling historical events on a continuum pursuant to preventable deaths on one end, and celebrity dramas on the other, the present doesn’t seem so bad.

Younger Americans have no understanding of the Vietnam Era or the genocidal episodes of the 1940’s and 1990’s (!), but they are bombarded with world-shaking “news.” OMG: Elton John was allegedly a witness to Royal-Family child abuse, and Taylor Swift’s appearance on Saturday Night Live was challenging for her.

Right now the political climate is kind of like before the third act of an old-school Broadway play– the audience needs a breather. It is sick of the whole thing. It needs a period of quiet to regroup and assess the situation.

Nevertheless, when the media claims that Pelosi is actually going to resolve the situation, females in the media ought to remind females in Congress not to be intimidated by the males who have conditioned them to be so, and give Trump a nickname.

Anyway, read the book to learn of Scovell’s career ups and downs.

Lies And the Lying Liars Who Tell Them

The Book of the Week is “Lies And the Lying Liars Who Tell Them, A Fair and Balanced Look at the Right” by Al Franken, published in 2003. This was a comedic look at news reporters, commentators, politicians and even media outlets who and that intended to deceive, and succeeded in deceiving viewers, listeners and readers via distortion, misleading statements, exaggeration, outright fabrication and all shades of falsity in between. Franken did his homework with the help of Harvard students, and called people to get information directly from “the horse’s mouth.”

First, the author provided credible research results showing that there was no liberal media bias at least up until the book’s writing. In fact, one of countless examples was that Al Gore was covered more negatively than George W. Bush in the 2000 presidential election. Further, after the Monica Lewinsky story broke, former President Bill Clinton was criticized nonstop by media people of all persuasions.

At that time, cost-cutting measures in the media had also taken hold. In-depth reports cost big money– compared to two pundits who read one tabloid article on a popular political issue, and then heatedly argue on camera.

Franken provided ample evidence that political commentator Ann Coulter produced little or no support for her supposedly factual statements on conservative issues mentioned in books she wrote. The few sources she mentioned were in hard-to-find endnotes.

Former president George W. Bush lied numerous times during his 2000 presidential campaign and thereafter. One particular set of lies was about past crimes he committed for which he never spent a day in prison: insider trading, cocaine possession, drunk driving, and going AWOL from the National Guard.  The author cited reliable sources– it wasn’t just tabloid gossip.

When the book went to print, a particular Fox political show with four commentators which claimed to be “balanced” actually featured “…two hard-core conservatives and two centrists.”

Bill O’Reilly (remember him?) prevaricated pathologically. He had a “… shopworn inventory of boorish tactics– bluster, bullying and belittling– in order to advance a thinly disguised conservative agenda.”

Dick Cheney contended that his and Halliburton’s profiting in an extremely, extremely large way through Halliburton’s secret subsidiaries was unrelated to the United States government. Yet his company was able to completely ignore the law to do business with Iran and Iraq, anyway. In July 2000, Cheney made known on ABC’s This Week that he was allegedly ignorant (willfully ignorant, if he was, which is unlikely) of Halliburton’s business deals in Iraq. This continued while America  went to war with that member-state of the “Axis of Evil.”

The Wall Street Journal also insulted the intelligence of Americans by giving credit to former President George W. Bush for the drop in crime during the years former President Bill Clinton was in office (!)  Dick Cheney tried to credit his boss’s administration for the effectiveness of the American military in Afghanistan and Iraq. But in August 2000, prior to the wars, he said “A Commander in Chief leads the military built by those who came before him.” That would be Bill’s Clinton’s lookout, not Bush’s.

Although Sean Hannity probably truly believed what he was saying, he meant to dishonestly sway his viewers:  “I think the weapons of mass destruction [in Iraq] will be found. I don’t think we don’t have any doubt about that.” He gives viewers the false impression that he knows something they don’t know. And they believe him; otherwise, they wouldn’t watch him. In late May 2003, speaking to TV viewers in Poland, President Bush announced, “We found weapons of mass destruction [in Iraq].” Rush Limbaugh uttered similar opinions in the same vein. The dishonest utterances just went on and on.

Read the book to learn of a boatload of people and entities who and that, twisted the truth on important issues; to name just a few issues: George W. Bush’s tax cut, his education program erroneously entitled “No Child Left Behind” and the horrible pollution of both hog farms and coal mining operations resulting from Bush’s relaxation of health and safety laws; and the adversely affected parties– taxpayers, students, and residents near the farms and mines.

Endnote: It’s a shame that this physical book lacked an index, which would have outed the liars in a comprehensive list, immediately. Since the author was already stooping to their level in name-calling, he should have gone all the way and saved his critics time by telling them where they were mentioned. Franken would not have had to reply to a significant additional barrage of inane online comments. Lazy, angry people who don’t do their homework are going to lash out at people who attack their side with factual research results, even if they have the most comprehensive research tools in the world.

Lastly, this was a book of jokes, but it actually covered lies about serious issues– life and death, money, education, etc. The nation is still lying about serious issues, and it appears that’s not going to change anytime soon.

Wired

The Book of the Week is “Wired, The Short Life & Fast Times of John Belushi” by Bob Woodward, published in 1984. This is a career biography of the performer best known for his sketches on “Saturday Night Live” (SNL), “Animal House” and “The Blues Brothers.”

Born in 1949, Belushi started his career at an early age, thanks to a paternal high school drama teacher. Belushi formed a comedy troupe in college. At the youngest age ever (22), he  joined the improv group, “Second City” in Chicago.

Belushi’s brand of comedy was lowbrow and attention-whorish. He became the onstage focus when he joined such group-oriented acting companies as SNL and Second City; this irked his fellow performers.

Belushi met the younger and less experienced Chevy Chase when they performed in an Off-Broadway black comedy about death. Then came a National-Lampoon-produced radio show, and SNL.  Other roles included Bluto in the movie “Animal House” and comedian Dan Akroyd’s partner in the movie “The Blues Brothers.”

As is typical of talented yet insecure performers who hit the big-time almost immediately, behavior problems abound. But since the star is “the goose that laid the golden egg” his or her behavior is tolerated.

“… John could inflict remarkable chaos… There was no telling what was gone or broken or misused. It seemed that John had dipped his fingers into everything in the refrigerator” while attending a 1982 Super Bowl party at the home of his agent, Bernie Brillstein.

Toward the end of his life (which should not have been unforeseen), Belushi was surrounded by enablers to his cocaine addiction. He was provided weekly with $2,500 cash for “expenses” in a “don’t ask, don’t tell” policy with his business associates. They allowed him to act like a spoiled child borne of their own greed, or out of trying to avoid the hypocrisy of being drug addicts themselves. They continued to believe in his talent even though the movies he did after Animal House were money-losers.  A major rationalization of that era was that cocaine was unavoidable backstage at SNL and it was uncool to decline to socialize with one’s fellow comedians.

Read the book to learn the details of how Belushi ended up the way he did.

 

inventing late night

The Book of the Week is “inventing late night (sic), Steve Allen and the original tonight show (sic)” by ben alba, published in 2005.  This slightly sloppily edited book tells how Steve Allen created the format for late night talk shows on American television, starting in the early 1950’s.

When television was in its infancy, Allen’s original ad-libbing and off-the-wall physical comedy made audiences laugh through the 1950’s.  However, since history is written by the most prolific propagandists, and Allen was modest and less than aggressive at self-promotion, other entertainment-industry moguls such as Johnny Carson and his ilk, bragged that they were the ones amusing Americans in an unprecedented way on their late-night talk shows. David Letterman was one of the few who attributed his show’s stunts to Allen’s ideas.

In autumn 1954, Pat Weaver, president of NBC, gave Allen free rein to do whatever he wanted on his new, unrehearsed, live (!) program, “Tonight!” What resulted was an unscripted variety show featuring insane stunts, a band, singers, celebrity guests, news and theater reviews. In planning each weeknight’s episode, Allen would loosely specify the number of minutes of each segment– but continue with a segment if it got a great audience response, and cut the next act on the spot. If the show was a bit slow, he would go into the audience to converse with them.  Every minute of airtime was unpredictable. The only segment that was usually predictable, was the music.

Unfortunately, episodes of the taped, live shows were later incinerated due to lack of storage space at the network. Shortly after the airing of the show, the only way for the general public and cast and crew to get a recording was to buy one– a kinescope for $160. The singers made about $300 a week.

Eydie Gorme had this to say: “All of us working singers would go the Brill Building [in Manhattan] and get all the new sheet music, which they gave you free in those days.” Other celebrities who appeared on the show and were interviewed for this book, lamented that of late, performers of recent decades have resorted to obscenity and vulgarity to elicit cheap laughs from the audience, because they lack talent and creativity. Sadly, most audience members are unaware that their intelligence is being insulted. Even so, the younger ones are unaware of how high Steve Allen set the bar for quality entertainment.

Even more impressive– Allen’s show had TWO writers and twenty band members, while nowadays, late-night shows have TWENTY writers and five or six band members.

Read the book to learn the specifics of Allen’s stunts, antics, routines and style, and what changed when he started a second talk show simultaneously with what became “The Tonight Show.”