He’d Love a Trade Fight – BONUS POST

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This song is self-explanatory, about you-know-who.

HE’D LOVE A TRADE FIGHT

sung to the tune of “I Love A Rainy Night” with apologies to the Estate of Eddie Rabbitt and whomever else the rights may concern.

Well, he’d love a trade fight.
He’d love a trade fight.
He loves to invite wonder.
Watch the fireworks as the globe swallows his lies.

You know it makes him feel good.

Well, he’d love a trade fight.
He’s showing his might.
He delights in his threats in your face,
tests the power of his words.

In the spotlight HE knows.

The news-cycle, takes all his words away.
His allies aid-and-abet for-gotten days.

‘Cause he’d love a trade fight.
Yeah, he’d love a trade fight.
Well, he’d love a trade fight.
Well, he’d love a trade fight.

ooh, ooh

Well, he’d love a trade fight.
He’d love a trade fight.

He loves to invite wonder.
Watch the fireworks as the globe swallows his lies.

You know it makes him feel good.

Well, he’d love a trade fight.
He’s showing his might.
He delights in his threats in your face,
tests the power of his words.

In the spotlight HE knows.

Puts his name in posterity.
To hell with, historical verity.

‘Cause he’d love a trade fight.
Yeah, he’d love a trade fight.
Well, he’d love a trade fight.
Well, he’d love a trade fight.

ooh, ooh

The news-cycle, takes all his words away.
His allies aid-and-abet for-gotten days.

‘Cause he’d love a trade fight.
Yeah, he’d love a trade fight.
Well, he’d love a trade fight.
He’d love a trade fight.

Well, he’d love a trade fight.
But it might be lies.
He’d love a trade fight.
Well, it MAKES headlines.

Ooh, he’d love a trade fight.
He’s fooling you. Yeah, yeah.
He’d love a trade fight.
Well, he’d love a trade fight.
But it might be lies.
He’d love a trade fight.
Well, it MAKES headlines.

Well, he’d love a trade fight.
Loves himself, too.
Well, he’d love a trade fight…

Nightline

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The Book of the Week is “Nightline, History in the Making and the Making of Television” by Ted Koppel and Kyle Gibson, published in 1996. The TV show Nightline, and this book were aired and published during the Reagan Era and president Bill Clinton’s first term, prior to the historical revisionism and 20 / 20 hindsight of even more modern times– during which politics is even more sophisticated. And when political awareness is higher than ever, due to social media’s pervasiveness.

In November 1979, Koppel began to host on ABC News at 11:30pm, what he thought was slated to be a temporary show, on the Iran hostage crisis. Thanks to videotape and satellites, he was able to feature a few different people who could talk to one another live, simultaneously, halfway around the world. By March 1980, this format had evolved into a news-analyzing talk-show called Nightline.

One of many moments in which viewers got to see major historical events happening right before their eyes, was the April 1980 eruption of Mt. St. Helens in the state of Washington. In 1985, Koppel and his crew televised a week of episodes in South Africa on apartheid, in color, and black and white. Actually. Also in 1985, in simulcasting another set of shows in a violence-prone area, they commemorated the 10th anniversary of the U.S. pullout from Vietnam. “Le Du Tho and Henry Kissinger, co-winners of the 1971 Nobel Prize, together again for the first time.” In 1988, they went to Israel to cover the never-ending dispute between the Israelis and Palestinians.

Al Campanis had played baseball with Jackie Robinson in 1946. In April 1987, the former became a victim of cancel culture after he made some unpopular comments on Nightline. “The bigger problem for baseball was that Campanis had inadvertently revealed an ugly truth about racial attitudes in the front office, and firing him wasn’t going to end what was now a national debate.”

Read the book to learn of numerous other episodes of an educational late-night TV show that was obsolesced by the changing times in America.

Winchell

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The Book of the Week is “Winchell, Gossip, Power and the Culture of Celebrity” by Neal Gabler, published in 1994. Two cliches that apply to the likes of Walter Winchell’s role in the evolution of the American entertainment industry include: THERE IS NOTHING NEW UNDER THE SUN, AND DEJA VU ALL OVER AGAIN.

Born in April 1897 in East Harlem, Winchell got into Vaudeville as an adolescent. In the 1920’s, there were about six major New York City newspapers, and readers had their favorite columnists. In August 1924, Winchell got his own column, specializing in Broadway gossip in the newly launched Evening Graphic.

Winchell’s career took off. By summer 1929, he was writing for the Hearst-owned paper, the Mirror. The following spring, he launched a radio show, and the following summer, he acted in a movie. He associated with Mobsters, advertising their night clubs while he received protection from them.

Winchell vacillated between suffering from imposter syndrome, and behaving like an alpha male with hubris syndrome. He was a dream dispenser for his readers; they aspired to adopt the lifestyle of “Cafe Society.” In the 1930’s, this set consisted of star-struck social climbers, heirs and heiresses who had done nothing to merit their own celebrity.

Winchell acquired significant power to make or break peoples’ fame with his column, by promoting or smearing them. During the Depression, he honed his showmanship and propaganda techniques, becoming a strong political influencer. Beginning in 1933, he flacked for FDR and smeared Hitler. His rhetoric was anti-Communist, anti-Fascist and anti-isolationist.

Lacking significant formal education, Winchell rode a wave of success based on envy, anger and vengeance, into the 1950’s. The author wrote, “The real grievance was the control he exercised over his social and intellectual superiors and what that control portended for the elites.”

Read the book to learn a lot more about Winchell and others that smacks of other public figures whose rises and falls have been largely similar, in the history of this country.